Shadow Circus

Installations | 2019 | multimedia installation

CURATORS: Natasha Ginwala, Bonaventure Soh Bejeng Ndikung

ASSISTANT CURATOR: Krisztina Hunya

CURATORIAL ASSISTANCE: Beya Othmani, Abhishek Nilamber, Mila Samdub

MANAGEMENT: Lema Sikod, Lynhan Balatbat-Helbock
 PRODUCTION: Ola Zielińska

COMMUNICATION: Anna Jäger, Marleen Boschen 
GRAPHIC DESIGN: Elsa Westreicher, Lili Somogyi
 TECH: Bert Günther, Emilio Cordero

ART HANDLING: Wilson Mungai, Kimani Joseph

An exhibition by Ritu Sarin and Tenzing Sonam in the framework of Forum Expanded, Berlin International Film Festival

7 February to 10 March 2019

SAVVY Contemporary, Plantagenstraße 31, 13347 Berlin, Germany

Since the Communist Chinese invasion of 1949, Tibet has been a country under occupation. The exhibition SHADOW CIRCUS revisits an overlooked chapter in the recent history of Tibet: the armed struggle for freedom that spontaneously erupted in response to the Chinese aggression, which then became entangled in global geopolitics when the CIA got involved in 1956. Code-named ST Circus, it was one of the CIA’s longest running covert operations until it was abruptly abandoned in the late 60s.

Filmmakers Ritu Sarin and Tenzing Sonam researched the subject for many years and made a BBC-commissioned documentary – The Shadow Circus: The CIA in Tibet (1998) – that focused on the CIA’s support and betrayal of the Tibetan freedom fighters. They were inspired by Tenzing’s father, Lhamo Tsering, one of the leaders of the resistance and the key liaison between the Tibetans and the CIA.

SHADOW CIRCUS re-evaluates the audiovisual material that they gathered over the years, and for the first time presents a re-edited version of their documentary, along with photographs, documents, letters, CIA surveillance maps of Tibet, and excerpts from interviews with former CIA agents and guerrilla operatives.

The Cold War epoch is navigated within a third space, as an ‘uneasy alliance’ beyond the geopolitical power blocs and bilateral relations to examine forms of intelligence gathering, guerrilla warfare and clandestine resistance in Tibet, that continues to resonate today as part of an unfinished project of freedom.

The filmmakers foreground the subjective position of an intermediary between the CIA and members of the Mustang Resistance Force: Lhamo Tsering, whose personal archive is staged to confront the complexities of an occupied terrain, wherein individual aspirations and national interests fail to provide a symmetrical historic trajectory.

The unresolved nature of the militant image and its ethics of circulation become points of potent inquiry during this pivotal time in Tibet’s armed liberation movement and the international ‘alliance building’ that included one of the most networked intelligence services in the world. The ultimate betrayal of the Tibetan struggle by the CIA was a foregone conclusion but the deeply personal and lasting emotional bonds that formed between Tibetan resistance fighters and their CIA trainers in the course of their brief and unlikely encounter muddies preconceived notions of power relations and demands another line of inquiry.

The exhibition is presented within the program of the 14th Forum Expanded | 69th Berlinale. SHADOW CIRCUS is a coproduction of Arsenal–Institute for Film and Video Art in the framework of the long-term project The New Alphabet at Haus der Kulturen der Welt.

SHADOW CIRCUS is funded by the Hauptstadtkulturfonds Berlin, Goethe Institut New Delhi, the Foundation for Arts Initiatives and the Rowell Fund for Tibet.

The exhibition will be accompanied by a catalogue:
Ritu Sarin and Tenzing Sonam (Ed.)
 Shadow Circus
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With essays by Natasha Ginwala, Carole McGranaham, Bonaventure Soh Bejeng Ndikung, Jamyang Norbu and Tenzing Sonam.
Designed by Mila Samdub
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Limited Edition of 500 copies