A Year On

It’s been a year since we last posted an update. In the meantime, a lot of things have happened, including a serious attack on our website, which took us down for a while. But thanks to our friends at Srijan Technologies and our new webmaster, Tseten Dolkar, we are back in action.

ayearon

In October, When Hari Got Married had its world premiere at Films From the South in Oslo. We had sold out shows and a surprisingly enthusiastic audience response. An extra show was added to the three scheduled ones. Screenings at DOK Leipzig and our very own Dharamshala International Film Festival followed. Hari, Suman and baby Anjali were present at the packed screening in Dharamshala, where the film was greeted by non-stop laughter from beginning to end. When Hari and family took to the stage for the Q&A there was thunderous applause. Asked whether Anjali would have an arranged marriage, both Hari and Suman, much to the delight of the audience, replied emphatically that she would be free to choose her partner!

Hari-with-wife-and-baby-at-screening-of-Ritu-Sarin-and-Tenzing-Sonams-When-Hari-Got-Married-1

Since then the film has screened at several international film festivals, including IDFA Amsterdam; the International Film Festival of India (IFFI), Goa; One World Film Festival, Prague; CAAMfest San Francisco; Jeonju International Film Festival, South Korea; the New York Indian Film Festival; and the New Taipei City Film Festival, Taiwan. When Hari Got Married is now slated for broadcast on PBS as part of the Global Voices series. The first broadcast is scheduled for Sunday, 16 June 2013.

For years, we had talked about doing something to bring contemporary art and cinema to Dharamshala. Last year, finally, we set up White Crane Arts & Media, a non-profit trust dedicated to promoting contemporary art, cinema and independent media practices in the Himalayan region. Our first two projects were the Dharamshala International Artists’ Workshop and the Dharamshala International Film Festival (DIFF).

8171959955_59a823b035_b

The artists’ workshop was conducted in Dharamshala from 20th October to 1st November in collaboration with Delhi-based Khoj International Artists’ Association. 13 India-based and international artists, including two local Tibetan artists, participated in what turned out to be an immensely fruitful and rewarding meeting of creative minds. The works that came out of the workshop were exhibited at the Tibetan Institute of Performing Arts and at various site-specific locations around Dharamshala and coincided with the opening of the Dharamshala International Film Festival, which took place from 1st to 4th November.

Asif-Kapadia-Director-Senna-addressing-the-audience-at-his-Master-Class-1

In its first edition, DIFF showcased 26 of the best contemporary Indian and international films, including features, documentaries and shorts. The aim was not only to bring quality independent films to the mountains but to promote and encourage local filmmaking talent. With this in mind, filmmakers from India and abroad were invited to present their films and participate in a range of masterclasses and panel discussions. In the event, DIFF was a huge success, far surpassing our wildest dreams. It is now set to be an annual event.

The Dharamshala International Artists’ Workshop and the inaugural edition of DIFF would not have been possible without the support of numerous organisations and individuals. Chief among them were: the Prince Claus Fund, the Netherlands; Thyssen-Bornemisza Art Contemporary, Vienna; the Himachal Pradesh Government’s Department of Tourism; the Shelley and Donald Rubin Foundation, New York; Isdell Foundation, New York; Sanjiv Sharma; and Jim Forster.

We were also exceptionally fortunate to have a dedicated, multi-tasking team helping us who ensured that everything went without a hitch (or at least appeared to go off without a hitch!). Special thanks to Wen, Torty, Anto, Jampa, Pratyush, Oona, Shaistha, Divya, David, Mila and our many volunteers.

Now, we are hard at work preparing for the next edition of DIFF, which will take place from 24th to 27th October this year. Torty (Victoria Conner) is our festival producer and we hope to make this an even more amazing festival with some very special guests and films.

The White Cranes remain committed, excited and eager to break new pathways! More in the next update.

Film Screenings at the Ravenna Festival 2012

Ravenna Festival d’essai
Focus on Tibet

The dramatic historical, political and cultural identity issues of the Tibetan diaspora will be documented and reflected upon in a series of four documentaries and a feature film made over the last 15 years by independent filmmakers Ritu Sarin (India) and Tenzing Sonam (Tibet), screened alongside the Scorsese “classic”, Kundun. They will tell of Tibet’s stubborn resistance to Chinese domination and its high toll in human lives, but also of the omni-present aura of spirituality and devotion for the Dalai Lama pervading the country since times of old. The two directors will exceptionally meet the audience and present their work at the closing of the season.

Calendar of screenings:

Thu, 3rd May
Dreaming Lhasa
(2005, directed by Ritu Sarin e Tenzing Sonam, 90 min)

Mon, 7th May
Kundun
(1997, directed by Martin Scorsese, 134 min)

Mon, 14th May
The Sun Behind the Clouds: Tibet’s Struggle for Freedom
(2009, directed by Ritu Sarin e Tenzing Sonam, 79 min)

Mon, 21st May – double bill
The Reincarnation of Khensur Rinpoche
(1991, directed by Ritu Sarin e Tenzing Sonam, 62 min)

The Thread of Karma
(2007, directed by Ritu Sarin e Tenzing Sonam, 52 min)

Mon, 28th May
The directors meet the audience

The Shadow Circus: The CIA in Tibet
(1998, directed by Ritu Sarin e Tenzing Sonam, 50 min)

All screenings will be at 9 pm at Corso’s Cinema, Ravenna, Italy

Mud Stone Slate Bamboo & the Engadin Art Talks

 

The picture postcard Romansh village of Zuoz, high in the Swiss Alps was the unlikely venue of the Engadin Art Talks, which was held on the weekend of 27th August.

zuoz

We were here at the invitation of Hans Ulrich Obrist, the Co-Director of London’s Serpentine Gallery and one of the directors of the event. Our brief was vague. This year’s talks was called Mapping the Alps, although as far as we knew, we were free to present anything that was somehow connected to mountains and architecture.

tara

Earlier this year, while spending time at our home in Sidhpur near Dharamsala, we were preoccupied with building a small home for our cow, Tara. We had decided to build the house in the local style, using mud, stone, slate and bamboo. Working with a small team of artisans, Ritu took charge of the design and oversaw the construction. Watching the process unfold was a fascinating experience and we decided to document it on video. From the beginning we were taken by the meditative quality of the work – the focus of the stone-cutters, the making of mud bricks, the measured laying of river stones, the artful of splitting of bamboo. There was a sense that man and material were one, that the structure slowly emerging out of the ground was organic and a part of the landscape.

Shubh Karan shaping stonesWe understood how even something as basic and simple as a cow house was imbued with centuries of tradition and wisdom, and began to appreciate the natural aesthetics of a building that is in harmony with its surroundings. This seemed all the more significant given the rapid decline in traditional architecture in the face of a ubiquitous and characterless explosion of brick-and-cement structures.

River StonesIt took three months to build the cow house. We filmed several hours of footage from which we decided to edit a 15-minute rough cut to show at the Engadin Art talks as part of our presentation.

St. Moritz Art Masters 2011 (c)SAM / Alexandra Pauli

Hans Ulrich and co-director Beatrix Ruf of the Zurich Kunsthalle had gathered an interesting and eclectic mix of people. We were particularly thrilled to meet Hamish Fulton, the English “walking” artist who had over the years made a series of art walks across mountains and countries, including in Tibet. Hamish turned out to be a true Tibet supporter, knowledgeable about the current situation and constantly highlighting it through his work.

hamish fulton

Others included the American artist Lawrence Weiner, Berlin-based Iranian artist Nairy Baghramanian, filmmaker and artist Sarah Morris, and the provocative New York-based Lebanese artist Walid Raad, along with the architects Gianni Pettena, Andrea Deplazes and Peter Zumthor.

peter zumthor

The reaction to Mud Stone Slate Bamboo was more positive than we could have expected and the screening generated an interesting Q&A session, much of which turned on the question of how traditional architectural techniques can be adapted to a modern context. Our presentation was followed by Andrea Deplazes who described the process of building the ultra high-tech and environmentally friendly Monte Rosa hut in the Alps near Zermatt; a more perfect and fascinating counterpoint to our no-tech cow house would be hard to imagine!

fresh snowfall

For two days we talked, ate, drank, and talked some more, beguiled by the fairy-tale beauty of Zuoz and its surroundings, locked, for a brief moment, in a bubble where art, architecture, landscape and intellectual stimulation were all that mattered. And then we went our own ways.

Now it is back to the grinding reality of Delhi…and the editing suite.

Return to Kalmykia

In 1991, Ritu and I had the exceptional good fortune of being able to travel with the Dalai Lama as he visited the Soviet Buddhist regions of Buryatia, Kalmykia and Aginsky. Our job was to document this historic visit on video. We were part of a small and intimate entourage, crisscrossing the Soviet empire in Aeroflot’s no-frills, long distance Tupolevs and Ilyushins, and covering smaller distances by twin-rotored helicopters. The Soviet Union was fast unravelling, and the situation was desperate: we could tell by the on-board catering – a slice of bread and a chunk of dubious salami on an eight-hour flight. One consequence of the momentous events overtaking the country was the revival of religious practice after decades of suppression. Wherever the Dalai Lama went, he was greeted by masses of people, almost hysterical in their emotional welcome, desperate to receive teachings, and to rediscover their connection with their spiritual heritage. Incredibly, through all the years of darkness they had kept alive this link, tenuous, transformed and barely recognizable but still very much there. The Dalai Lama gave teachings and initiations, in stadiums and hippodromes, and the crowds came, eager for spiritual succour, happy just to see him and receive his blessings.

HHDL-Kalmykia-1

Among the Dalai Lama’s entourage was Telo Rinpoche, an 18-year-old lama from Drepung Monastery in South India. He was of Kalmyk origin, born in Philadephia and sent to India to become a monk at the age of six. The Dalai Lama later recognised him as the reincarnation of the famous Mongolian lama, Delowa Hutuktu (also known as Diluv Khutagt), who was himself the reincarnation of the great Indian master, Tilopa. I had heard about the Kalmyks before I actually went to their homeland. My family’s root lama, Zorgey Rinpoche, the reincarnation of my great-uncle, had been brought to Kumbum Monastery from Inner Mongolia and then sent to Drepung Monastery in Lhasa for further studies. He escaped to India soon after the Chinese invasion of 1950 and eventually made his way to New Jersey where he served a small émigré Kalmyk community as their resident lama. Delowa Hutuktu had also spent his final years among them. When I first went to America in 1979, Zorgey Rinpoche still maintained close ties with the American Kalmyks and I visited their temple in New Jersey and met several of its members. I also knew that a famous Kalmyk lama, Geshe Wangyal, had not only been instrumental in helping the CIA develop a Tibetan version of the Morse Code in the late 50s, but had also been the first important Tibetan Buddhist teacher in the West, the guru of such luminaries as Robert Thurman and Jeffrey Hopkins. But like most people who knew something about the Kalmyks, I thought they were Mongolians and had absolutely no idea of how fascinating their history was.

The first thing I realized as we flew south from Moscow to Elista, the capital of Kalmykia, was that it was at least a thousand miles from Mongolia. The Kalmyks were originally a Mongolian tribe from the southern steppes of Siberia, who migrated westwards in the 17th century and eventually settled around the mouth of the River Volga, on the shores of the Caspian Sea, in what was, and still is, European Russia. In return for guarding its southern flanks, the Kalmyks were incorporated into the Russian Empire as a Khanate and for over for two centuries, until the Second World War, they fulfilled their obligation, integrating effectively into the Tsar’s fighting forces. Like most Mongolians, the Kalmyks were staunch followers of Tibetan Buddhism and their presence in southern Russia created the unlikely scenario of a Buddhist republic in Europe. For two hundred years, until the advent of communism, Kalmyk monks kept alive their connection to Tibet by making the incredibly long and hazardous journey to Lhasa to study at one of its three great Gelugpa monasteries.

photo-of-old-Kalmyk-khurul-temple

The establishment of the Soviet Union brought about unimaginable suffering on the Kalmyks. Stalin proscribed the practice of Buddhism in the early 1930s. As in Tibet some decades later, monks were killed, forcibly defrocked or sent to Siberia, and all of Kalmykia’s monasteries and temples were destroyed. During the Second World War, the Nazis briefly occupied Kamykia during their campaign in southern Russia, which culminated with their defeat at the battle of Stalingrad (now Volgograd) in 1943. Stalin immediately deported the entire Kalmyk population of about 100,000 in cattle trucks to Siberia as punishment for having ‘collaborated’ with the Nazis. Thousands perished during the journey. The remaining Kalmyks were scattered in small pockets across Siberia, with no link to their homeland, their religion, their traditions, or even to each other. When they were finally allowed to return to Kalmykia in 1957, their population had dwindled to about 60,000. In their absence, their homes had been taken over by Russians and other ethnic groups. By this time, the majority had almost forgotten its native language, lost touch with its traditions, and had no overt contact with Buddhism for nearly three decades. Nonetheless, their sense of identity as a people remained strong and they set about rebuilding their lives. The practice of Buddhism, though, was to remain underground for another thirty years. But when the Soviet Union began to collapse in the early 90s, the Kalmyks were ready to reclaim their heritage, and it was at this critical period that the Dalai Lama visited Kalmykia for the first time.

I remember vividly the fervour with which the Kalmyks greeted the Dalai Lama on his first visit. Wherever he went, people flung themselves at his feet, literally crying with happiness. Day after day, they packed the hippodrome in Elista to listen to his teachings, which were translated into Russian. How much they understood was hard to know, but at the end of the teachings, the crowd mobbed the stage, scrabbling to get some memento of his visit. They fought for the flowers that decorated the stage, and they grabbed at the precious pills that were distributed but when we interviewed some of them later, they asked us what they should do with them!

The young Telo Rinpoche’s appearance in Kalmykia in the company of the Dalai Lama galvanised the community. It was as if he was their Messiah, sent especially to help them in their hour of need. At the time, he was more Tibetan than anything else and Kalmykia was as alien a land to him as it was for me. The Kalmyks appealed to him to return and help them revive their religion and rebuild their temples. The next year found him back in Kalmykia, elevated to the position of Minister of Religion and given the title of Shadjin Lama, the head lama of the Kalmyks. We followed him soon after, commissioned by the BBC to make a film about him.

Telo-Rinpoche

Russia in the immediate post Soviet-era was a grim and scary place. The Dalai Lama’s representative in Moscow, Nawang Rabgyal, had his office-cum-residence in a gigantic hotel complex where we were almost robbed in our room in the middle of the night. Elista, the capital of the Republic of Kalmykia, was an even sadder place, a provincial Soviet town of concrete blocks and nothing much else, set in the treeless steppes of southern Russia. Telo Rinpoche, then all of 20 years old, had a huge office in the Kalmyk White House, a personal interpreter and an official limousine. But his dreams of building a khurul – a Buddhist temple – were being stymied by an intractable and impenetrable Soviet-era bureaucracy, and exacerbated by a language barrier and a lack of understanding of the local culture. Even as we were shooting the film, he called it quits and left Kalmykia. That was how our film, later broadcast on the BBC as The Trials of Telo Rinpoche, ended.

Telo Rinpoche subsequently went through many ups and downs. He married a Tibetan, had a son, and settled in Boulder, Colorado. Over the years, we kept in touch with him, intermittently at first and then more regularly. The ghosts of his failed mission in Kalmykia continued to haunt him. The Dalai Lama told him to go back and finish what he had started. The people of Kalmykia were only too happy to have their beloved Shadjin Lama return and since the late 90s, he has been spending most of his time there. On our occasional meetings in India or the US, he told us of the progress he was making. He asked us to come back to Kalmykia to see for ourselves the changes that had taken place since our last visit. And so in June this year, at his invitation and after 18 years, we finally found ourselves back in Russia and Kalmykia.

Moscow was a changed city. What used to be a city of few cars – all Russian-made – and even fewer shops had been transformed into one gigantic traffic jam. The airport road, where earlier, unsuspecting cars were sometimes stopped and robbed, was now one unending stream of vehicles, with not a Russian car in sight. It took us two and a half hours to drive from Sheremetyevo airport to the centre of Moscow, the longest airport transfer ever. We had plenty of time to talk to our local liaison from the Save Tibet Foundation, Natasha, who had come to pick us up, and find out about the state of the country. The inordinately large number of BMWs and Mercedes Benzes that inched along beside us, their owners hidden behind smoked glass; the giant supermarkets and malls, including an Ikea and an Auchan that we crawled past; and the huge billboards flaunting the good life, were apparently deceptive. Russia was in the throes of a crisis where the rich were getting super-rich and the poor were being left to fend for themselves. A kind of mafia/crony coterie ruled the country with no larger vision beyond lining its pockets and keeping all criticism at check. And underneath the shiny gloss of the new city, darker forces were being unleashed, an ugly form of ultra-nationalism that targeted all non-Russians and increasingly exploded in unprovoked and random attacks on the city’s sizeable minority community.

Red-Square-at-night-2

Elista, too, seemed changed, at least on the surface; brighter, greener and more prosperous. Here, too, there were more cars on the road. Telo Rinpoche was busy with the Mongolian President’s visit when we arrived. Later, we were invited to a cultural show where troupes from both Kalmykia and Mongolia sang and danced in front of the dignitaries. The Kalmyk chairman spoke in Russian, his Mongolian counterpart in his native language. Very few Kalmyks still spoke their own language and perhaps this was a reminder to them of their roots. Later, we caught up with Telo Rinpoche at his home where we were staying. For the next three days, we chatted incessantly, catching up on his years in Kalmykia and talking about his plans for the future, which included, among other things, going to Mongolia more often to reconnect with his previous incarnation’s legacy.

Telo-Rinpoche-and-old-lady-outside-the-new-Elista-Khurul

We visited the first khurul that he had rebuilt in Elista. This was the same building whose model had stood on his desk at the White House all those years ago, mocking him as he struggled to make headway with its construction. We recalled the scene we had filmed where a young Rinpoche looked out, dejected and demoralised, over the proposed site of the khurul, a barren expanse of frozen steppe broken only by the silhouette of a non-functioning crane in the distance. But he had come back and finished it and for some years, it was Kalmykia’s main temple, before another, grander khurul superseded it. The new temple was closer to the centre of Elista. It was a massive structure, faintly remniscent, with its distinctive pagoda shaped roofs, of a traditional khurul, but resolutely modern in all other ways. It was ringed by a circle of statues representing the 18 arhats. There were tourists among the faithful, groups coming from as far away as Volgograd and Rostov. A Russian wedding party was there for a photo shoot. School children were being shepherded around in groups. A middle-aged lady knelt before Telo Rinpoche and offered him a scarf. An old lady reverentially held his hand and placed it on her head; he held her lovingly, speaking to her comfortingly in Russian. Among the many surprises we discovered was the fact that Rinpoche could now get around without an interpreter.

Inside-the-Elista-Khurul

Inside, a massive statue of the Buddha Sakyamuni dominated the main assembly hall. Beautifully executed murals, painted mainly by Tibetan artists, covered the walls. There was a good-sized auditorium and a museum of Kalmyk history and culture in the basement, and upstairs – interestingly for me – consultation rooms where Kalmyks could meet their lamas, who were mostly Tibetan, on a one-on-one basis. This was an unusual, modern twist to a traditional form of spiritual counsel and one that, according to Rinpoche, was very popular with the locals. The supplicants came for all kinds of reasons, to request divinations on a variety of matters, to select auspicious dates, to perform miscellaneous rites, and often, to find a sympathetic ear to unburden their personal and domestic troubles and difficulties. This dual role as spiritual guide and personal counsellor was a demanding one, not something the lamas had been trained in, and Rinpoche advised them to take it on as another way of putting their Buddhist studies into practice.

The most impressive achievement of the khurul was that it provided an imposing physical symbol around which the Kalmyks could rebuild their fragile and often beleaguered sense of identity. Kalmyks were proud of their khurul and increasingly, those coming to find solace here were the younger generation. To me, Kalmykia’s regeneration of its faith and culture was a lesson in how difficult it is to crush a people’s spirit and efface its identity. It is an example that we Tibetans can learn from. In our haste to sound the alarm bells about the imminent disappearance of our national identity, we overlook the enduring and deep-rooted nature of our historical and cultural legacy.

Although Tibet has much in common with the suffering of Kalmykia, there are several major differences worth pointing out. Unlike Kalmykia, which came into existence only in the 17th century, and which became incorporated into the Russian Empire in the 18th, Tibet has a long history – Chinese claims notwithstanding – of having existed as an independent country and is one of Asia’s great civilizations. The Kalmyks were followers of Tibetan Buddhism and even though the language, rituals and customs of their religion were all imported from Tibet and, in many ways, alien to them, they managed to keep their faith alive through several decades of complete repression. In contrast, Buddhism is an integral part of Tibet’s culture and traditions and has been for more than a millennium. In Kalmykia (and the rest of the Soviet Union), religion was completely banned for nearly sixty years. By comparison, the suppression of religious practice in Tibet lasted two decades and today, Buddhism, albeit in a tightly controlled environment, is once again being practiced throughout the country. Compared to Kalmykia’s miniscule population of around 150,000, there are approximately six million Tibetans. And if we are worried about the dangers posed by the current migration of Chinese settlers to Tibet, think how much more fragile the case of the Kalmyks was. At the time of their banishment to Siberia, there were around 100,000 Kalmyks in total, less than the number of Tibetan exiles in the world today! Today, the approximately 150,000 strong Kalmyks make up roughly a little more than 50% of the population of Kalmykia – the rest being mainly Russian. But this has not stopped them from reviving their culture and traditions, asserting their own identity, and carving out an ethnic Kalmyk Republic within the Russian Federation.

Telo Rinpoche’s contribution to the revival of Buddhism in Kalmykia and the consequent rediscovery and rebuilding of its national identity has been a significant one. No less important has been his success in reviving the ancient spiritual links between Tibet and Kalmykia. The callow 20-year-old we filmed 18 years ago – alone in a strange land, faced with unrealistically high expectations from its people, and wracked by personal doubt and confusion – has come into his own and more than ably fulfilled the difficult role thrust upon him by the vagaries of history. We left Kalmykia, proud of Telo Rinpoche’s achievement and confident that our paths will continue to cross in the future.

Mural-of-the-Dalai-Lama-inside-the-Elista-Khurul

Engadin Art Talks, Switzerland

We will be participating in the Engadin Art Talks later this month in the Alpine town of Zuoz in Switzerland. E.A.T. was initiated by Cristina Bechtler, and is led by Beatrix Ruf, director and curator of the Kunsthalle Zurich, and Hans Ulrich Obrist, co-director of the Serpentine Gallery London. The topic of this year’s talks is Mapping the Alps and the participants include several artists and architects.

While we know nothing about Alpine architecture, it is our interest in Himalayan architecture that takes us there. We will show a short video work-in-progress, Mud Stone Slate Bamboo, which chronicles the construction of our cow house in Dharamsala in the local Gaddi style.

Shubh Karan shaping stones River Stones

We will also present some pictures of traditional architecture in Spiti and talk about the changes taking place there as concrete structures, although completely ill-suited to the climate and environment, are gaining in popularity.

Dangkhar-sunset

There is more information about the talks on this website (English option as well):

http://www.engadin-art-talks.ch/en/index.html

When Hari Got Married update

We have completed our final shoot and have also finished logging and assembling footage. Now to begin editing in earnest.

Meanwhile, we have received confirmation that When Hari Got Married will receive funding from the Jan Vrijman Fund in The Netherlands and ITVS International. These are both highly competitive awards and we’re thrilled to have been selected.

Ritu will shortly be attending the Sheffield Documentary Festival where our film has been selected for the Meet Market. Hopefully, we will interest more funders there.

Retrospective of eight of our films in Prague, 14 & 15 April 2011

Our friends at Potala in Prague are organizing a festival of Tibetan films – Tibet Flim Fest – from 13 to 15 April at the Kino Aero in Prague. A retrospective of eight of our films will be showcased as part of the festival. This will include the first ever theatrical screening of our video installation, Some Questions on the Nature of Your Existence.

Rooftop-Debate-72

The screening schedule for our films are:

14 April, 18.00:
The Reincarnation of Khensur Rinpoche
The Thread of Karma
Some Questions as to the Nature of Your Existence

15 April, 18.00:
The Shadow Circus : The CIA in Tibet
The Sun Behind the Clouds

21:00:
Dreaming Lhasa
22:30:
The Trials of Telo Rinpoche
A Stranger in my Native Land

For more information about the festival.

Screenings of our films in Jakarta

Four of our films – The Sun Behind the Clouds, Dreaming Lhasa, The Reincarnation of Khensur Rinpoche and A Stranger in My Native Land – will screen in Jakarta as part of Festival Film Tibet.

Our new film project: When Hari Got Married

At the end of last year, we finally managed to spend some time at our home in Sidhpur near Dharamsala. We were looking forward to some rest and quiet time after things finally started to wind down on The Sun Behind the Clouds. But this was not to be. We suddenly found ourselves in the thick of a new shoot. Our new film, When Hari Got Married, tells the story of Hari, a taxi driver in Dharamsala as he prepares to get married to a girl he has never met. We’ve known Hari since he was a teenager and the idea of making a film about his marriage was on our mind ever since we heard about it few months ago. But it wasn’t until we met him again that we realised what an opportunity this was.

Hari is no ordinary taxi driver. He’s outspoken, opinionated, funny, amazingly frank, and full of wise-cracks and home-grown insights. His regular clients, who include Western Buddhist nuns and Tibetans, love him. Not having been able to meet his future wife in person ever since the marriage was arranged two years ago, Hari found a novel way to get to know her – via the mobile phone. And it was during endless conversations on the mobile phone that they began to develop a relationship. To us, Hari and his upcoming wedding represented that meeting point between the so-called Shining India – the new India of globalisation and material aspirations – and the traditional India, still deeply rooted in age-old traditions and customs.

Hari-with-bow

Our close connection with Hari and his family meant that they were happy to allow us complete access into their lives at this significant moment, not as outsiders making a film about an unusual subject but almost as family sharing in a happy event. This was a rare privilege to have as documentary filmmakers, and it was in this spirit that we set out to make this film. We shot the film in December and got some truly amazing footage. Now, we are all set to begin the edit.

Hari-Suman-arrival

We just got back from DocEdge Kolkata where we attended the pitching workshop and then pitched the film in front of television commissioning editors and documentary funding organisations from Europe, the US and South Korea. This was a first for us, having never, in all these years of making films, actually pitched in front of an audience. It was a bit nerve-racking but in the end, went well (we think)! Now, to see if this exercise actually translates into some real funds.

Miranda House Excellence & Achievement Award to Ritu

Ritu’s alma mater, Miranda House, Delhi University, is awarding her its annual Excellence and Achievement Award for her work as a filmmaker. The award ceremony will be held at the Miranda House auditorium on 19 February at 10:15 am. It will be followed by a screening of The Sun Behind the Clouds.

In conjunction with the award, Miranda House Film Club is organising a retrospective of four of our films:

15 Feb, 2:00 pm
Dreaming Lhasa (90 mins, 2005)

17 Feb, 2:00 pm
The Shadow Circus: The CIA in Tibet (50 mins, 1998)
3:10 pm
The Reincarnation of Khensur Rinpoche (62 mins, 1991)
Followed by a discussion with Youdon Aukatsang, Member of Parliament (Tibetan Government-in-exile)

19 Feb, 10:45 am
The Sun Behind the Clouds (79 mins, 2009)
Followed by a discussion with the filmmakers

Last words from Tromsø

RS-in-Tromso Tromso-main-street

(cross-posted in http://thesunbehindtheclouds.com/?page_id=36)

Tromsø, a small town way up in the Arctic Circle, seems an unlikely spot for any kind of international cultural gathering but it is, in fact, the venue for Norway’s most attended cinematic event – the Tromsø International Film Festival. And this is where we found ourselves in January, almost exactly a year after our film, The Sun Behind the Clouds, screened at the Palm Springs International Film Festival and set us off on a roller coaster ride of festivals and screenings. It seemed an appropriately remote place to bring our journey to a close.

Tromsø’s a beautiful little town, set on an island surrounded by fjords and mountains, snugly clad under a thick layer of ice and snow. A bluish crepuscule cast an enchanted light for the best part of three hours around midday before fading into darkness. The town boasts many “northernmost” accolades, including the world’s northernmost Burger King! Interestingly, it’s also the home of electronica duo, Röyksopp, whose 2001 album, Melody A.M., was a big favourite of ours. But Tromsø is most famous for its Northern Lights, a sight we hoped to catch while in town. Sadly, aurora borealis remained in hiding for the four days we were there.

We expected the temperature to be well below freezing but in fact, after hitting -3°C the first day, it warmed up to just above zero and caused some concern among the festival organisers that their giant outdoor snow screen where some of the screenings were to be held might begin to melt. In the event, the snow screen held up. The festival screenings were divided between a number of cinemas spread around town, including a wonderful old theatre called Verdensteatret Kino, which was built in 1916. The festival was laid back in an efficient way, and our three screenings were well attended, including one sold out show.

poster-in-foyer Chungdak-in-the-foyer

Many thanks to Chungdak Koren and her team from the Norwegian Tibet Committee, who were present during the screenings to publicise the situation in Tibet. It was nice to see that even a town as distant as Tromsø has a local Tibet support group.

Meanwhile, in India, the Tibetan Youth Congress, who are distributing both the international and Tibetan language versions of the DVD in South Asia, launched the film in Sarnath during the Dalai Lama’s teachings. They had two packed screenings of more than a thousand people each. This was followed by two sold out screenings in Dharamsala. TYC reports brisk DVD sales with a fair number headed for Tibet. One of our goals in making this film was to do our best to make the film available in Tibet and China. To this end, we made a Tibetan version and also added options for Traditional and Simplified Chinese subtitles on the international version. We know from past experience that Tibet-related videos and CDs from India do end up in Tibet and China. A pirated version of our previous film, Dreaming Lhasa, was available in Beijing with home-made Chinese subtitles!

Welcome to Our new Website

Welcome to our long overdue, re-vamped White Crane Films website! A big thanks to our son, Mila, who spent many long hours working patiently on the design and the architecture of the site. This is his first website and we’re very pleased with his efforts. We plan to update the site frequently and keep you in the loop about our activities, so do keep checking back.